Sounds and music being produced, reproduced, played and used by the general public during historical backgrounds of coups or political protests. This essay will use examples from an ongoing protest in Myanmar.

How is sound used in radical events as medium of argumentation, provocation, and communication.

Examples of sonic approaches adopted(spontaneously) by the general public during the protest and how sonic expressions can possibly transcend discursive modes of communication, solidarizes people, and manifest resistance.

What is the role of sound regards to identity construction and performance.

The approaches by the power organ to regulate and discipline sound and music in the name of public well-being and social order as silence can act as a representation of social discipline and political repression.

Metaphor of sound and silence in politics and the relationship between sound and power.